Noticed that GHE20G0TH1K is teaming with New Orleans bounce artist Sissy Nobby, so here's an earlier mixtape for genre reference.
Showing posts with label Hip Hop/Rap. Show all posts
Showing posts with label Hip Hop/Rap. Show all posts
4.30.2015
Sissy Nobby - Gitty Up Mixtape
Noticed that GHE20G0TH1K is teaming with New Orleans bounce artist Sissy Nobby, so here's an earlier mixtape for genre reference.
5.13.2012
Gelo - Havin' It My Way (1993)
The only thing more surprising than the hilarious cover on this one is how good the music actually is. As the story goes, Gelo was just another Cali gangsta who decided to record an album, and somehow got two sides of killer P-Funk beats to do his thing over. Released on the collectible SMG Solar Music Group label. Great stuff.
192
3.20.2012
J Rock - Streetwize (1991)

Wow I don't know what to say except that I've been pretty obsessed with this for the last few weeks. It's early 90s New York hip hop with extremely funky beats and a drolly amateurish delivery which never fails to bring a smile to my face. Here's his entire bio from his last.fm page:
"As good friend of DJ Premier he made one album in the year 1991. After the album he went to jail and DJ Premier never heard of him again."
All humor aside, I am amazed that this album isn't more popular (It certainly fetches a hefty price on the collectors market though)
5.15.2011
Artifacts - Between a Rock and a Hard Place (1994)
allmusic:
This is a strong mid-'90's hip-hop album from two Jerseyites with a fairly unique style, B-boyism mixed with EPMD-esque funk flavor. Hard-edged but not gangster, the Artifacts stress the true elements of hip-hop culture in their music with an accent on their forte, graffiti writing. Calling their debut album the "the first and last showing of graffiti rock," the Artifacts rap about typical subjects like marijuana and skirt-chasing, but their cleverness and wit are singular. Tracks like "Wrong Side Of The Tracks," "Flexi Wit Da Tech," and "C'mon With Da Git Down," are arguably '90s underground classics, while other tracks, like the Redman-produced "Comin' Through Your F****n' Block" and "Wassup Now Muthaf****" also hit hard. The synoptic track "Whayback" is a shout to rap's forefathers and a longing for hip-hop's glory days of old. Although slack in a few places, overall, this a stellar album and sincere attempt to keep the essence of hip-hop alive.
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